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Karinne Smith speaks with curator Samuel Staples for the Berlin based publication CODE
A collection of artist's images, fashion editorials, interviews and raw explorations of the liminal spaces between one death and another life, CODE 02: Life is Death is Life is a whirlpool in the flowing river, a cathedral window that changes in light. A cave-dive into and collective meditation on the "beauty in letting something die" (Editor's Letter), this issue of the annual magazine features works from and conversations with Dr. Michael Hoch at CERN, Black Quantum Futurism, Karinne Smith, Tianzhuo Chen, Kevin Bray, Eugene Yiu Nam Cheung and more.
CODE 02: Life is Death is Life, 2023
160 pages, full color gloss gatefold cover
Printed in CMYK + Silver (PANTONE 877 C)
3 different papers: rough, glossy and transparent
Binding is a white rubber band
10.5 x 7.75 inches (195 x 265 mm)
Made in Turkey
Cover Photograph by Neva Wireko
Published by Year Zero
US $31
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Jonathan Mildenberg
The Drowning Dog, 2022
20 pages of text, card stock cover
Staple bound with hand tied binding string
8.5 x 5.75 inches (22 x 15 cm)
Printed in New York City
Published by the artist and M 2 3
Hand stamped, signed, numbered
Edition of 50 + 3 A.P.
JM19
US $15
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Bat-Ami Rivlin’s collaboration with Russell Maltz was realized early March 2020 for the project Performing Authorship: 31 Days in March, organized by Saul Ostrow at PS122 Gallery, (New York), just prior to citywide closures due to the COVID-19 pandemic.
Performing Authorship: 31 Days in March was grounded in the principles of Robert Morris's “anti-form” masterwork Continuous Project Altered Daily, (1969) which rejected a finalized form. Morris wrote: It is part of the work’s refusal to continue estheticizing form by dealing with it as a prescribed end. The exhibition was organized around a set context in which 8 collaborative teams - representative of the four generations of artists to emerge between the late 1960s and mid-2010s - create in, and add to the gallery space on a given schedule. All the projects were to be present on the final weekend of the exhibition.
PS122 Gallery remains closed to the public (as of May 2021). This publication represents the culmination of the completed project.
LEF(t), Summer 2020
newsprint broadsheet publication
15 x 11 1/2 inches (38 x 29 cm) four fold
published by Critical Practices, Inc, New York
printed in New York City
Free - Available in gallery
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Bat-Ami Rivlin
Untitled (Inflatable Kayak, Zip Ties), 2021
Text by Mira Dayal
14 pages; 9 full color, illustrated pages
4 x 5 inches (10 x 13 cm)
Staple bound; printed in New York City
Published by the artist and M 2 3
Edition of 50, hand numbered
Collection of the Barnard Zine Library
US $10
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Available online and in store at
Printed Matter
M 2 3 tote (no. 4), 2020
100% cotton tote with extra long straps
light weight 4 oz canvas
15 x 15 inches (38 x 38 cm) flat
made in India, printed in U.S.A.
Edition of 100
US $8
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tote no. 5 coming soon
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machine wash cold, lay flat to dry
Daniel Klaas Beckwith
Speedrunning: Final Ontology of Man, 2017
an abridged article positing speedrunning as the pinnacle of human achievement and last breath before the post human moment
Staple bound text, 33 pages
11 x 8 1/2 inches (28 x 22 cm)
Collection of Cornell University Library
DKB1
US $10
BUY
PDF download available by request
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